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by John D'Agostino
D.R. Auten... "My family is from Russellville, Kentucky. My grampa was known for his 'thump' style of guitar playing, but he never recorded anything. Each of my uncles inspired me in a different way. My uncle Sam lost his thumb when he was a little boy, so he had a very specific influence on my style. 'Donnie,' he'd say, 'you have a thumb ---use it!' My uncle Donald left his guitar at my house so that I'd have something to practice on. My uncle Ray was a lead guitarist, and he taught me some cool licks. Skills learned at home formed the foundation of a talent that young Auten further developed as an electric and acoustic guitarist and banjo player in several famous and infamous rock, pop, and country bands of the '60s and '70s. by Taylor Guitars, the Southern California-based manufacturer of high-end acoustics for whom he had worked 20 years earlier. Auten found new inspiration in being surrounded by the finest acoustic guitars in the world, and began to hone his fingerstyle chops with a fervor he hadn't felt in years. Before long, he was writing and recording new music and performing as a solo act in concert halls, clubs, and coffeehouses all over San Diego. People began to notice, and word of Auten's talent began to spread, attracting the attention of national magazines in the process. Auten, apparently, had found his niche. "I'd always been one among many, playing fills and background stuff as a member of a band. But when I started performing solo, I turned a lot of heads in a way I'd never done before, so I stayed with it. After all these years, I'm finally doing exactly what I need to do. Solo guitar is a perfect medium for my self-expression and a great outlet for all this creative energy." Auten's recordings attest to the wisdom of his career choice. If you had to describe his guitar style in terms of well-known artists, you might say he grafts Chet Atkins to Albert Lee. But Auten's instrumentals are more than clumps of notes and chords thrown together to invoke familiar influences or to exhibit technical prowess---although he has that in abundance. They are more like finger-orchestrated songs with silent vocals, their expressive phrasings and thoughtful transitions speaking of the joys, heartaches, humorous musings, and simple pleasures that can't find expression in mere words.
From adrenaline-pumped breakdowns to bittersweet tone poems, from sly, country-fied ambles to highconcept epics employing otherworldly "special effects" (with nothing but his hands and guitar, he variously evokes a cat's meow, Scottish bagpipes, a swamp frog's ribbit, a locomotive's rhythmic chuff and lonely whistle, a bass guitar, a spider's crawl, or a Chinese parade), Auten's solo compositions have the depth, breadth, and texture of "acoustic paintings" (which, not coincidentally, is the name of one of his finest albums).
R. Has Shared The Stage With:
Tommy Emanuel (Australia's top guitarist) Sylvain Luc (One of my Favorites) Lawrence Juber (Former guitarist with McCartney and Wings) (Two hand technique specialist) (Son of Merle Travis) (Grand Ole Opry Favorite) (Winfield Champion) (Winfield Champion) Vice Presedent Al Gore
(At the Hermitage, TN) GutiarToons II (Solo Acoustic Guitar) Story and Coloring Book (in progress) Christmas Guitar with D.R. Auten (Solo Acoustic Guitar) Soundtracks of a Dream (Guitar and Vocals) String and Strang (Ying and Yang) (Electric and Acoustic) Christmas Guitar with D.R. Auten (Solo Acoustic Guitar) D.R. Auten Solo Guitar and Vocals Vol. 1 D.R. Auten Solo Guitar and Vocals Vol. 2
Guitar Fingerstyle (NARADA/dist. by BMG JazzTimes
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